TV Editor Kylie Clarke celebrates a heartwarming and emotional goodbye to the characters of Sex Education, in spite of some unrealistic plots and dialogue

TV Writer Joel Bishton reviews Partygate, criticising its representation of the real-life event and believing the piece to be a weak portrayal which blurs the lines between documentary and drama in a confusing way

Film Editor Alice Weltermann looks back on Gilmore Girls from its cosy and idealised American small-town atmosphere, to the underlying paradoxes of its postfeminist perspective

Sport Editor Lucy Parry reviews the new season of Strictly Come Dancing at its halfway point, finding that the show has maintained its high entertainment quality and commenting on who the front runners of the competition may be

Redbrick's Film, Music, TV, and Gaming Editors come together with their picks for what to watch and play this October

Print&Features Editor Jess Parker hails Season 16 as a return to form for its ensemble cast of 'uniquely awful characters'

TV Writer Rani Jadfa reviews the first episode, celebrating the excellent pacing and chemistry of the actors

TV Writer Ashleigh Sutton reviews the new season of Heartstopper, finding it enjoyable despite some cringe-worthy performances

Despite its criticisms, TV Critic Rani Jadfa endorses Marvel's TV efforts for its diversity and ability to bring viewers together

TV Writer Joel Bishton explores the legacy of Doctor Who, describing how its successful genre-switching as well as innovative ideas have led to its mass appeal and status as a staple of British television

Print & Features Editor Jess Parker discusses Black Mirror's sixth season of tech-society critiques, highlighting the most successful episodes amidst a middling overall offering

TV editor Tom Stone unearths an old internet horror web series, Marble Hornets, and points to its unique combination of context and presentation in creating an immersive horror experience