Paul Woolford's Special Request project returns with new single Shepperton Moon Landing but sadly fails to stick the (moon) landing, writes Barney Murphy-King

Music Writer Thomas Armstrong is impressed with Shai Brides' playful and dystopian debut single, Joie de Vivre

Music Writer Catrin Jackson embraces sound change from Cigarettes After Sex ahead of their upcoming album

Television Editor Cat Osborne writes that the collaborative single 'Don't Call Me Angel' unfortunately falls completely flat of what could have been a masterpiece

Sam Zucca is impressed with Big Thief's latest single, claiming it to be a great link betweein their last album and the next

Redbrick's Food editor Gabrielle Taylor-Dowson is impressed by the use of synthesised vocals and motivational lyrics in Rex Orange County's '10/10'

Music Editor Daisy Kirkaldy is disappointed by Justin Bieber's seemingly unnecessary contribution to the new 'bad guy' remix

Catrin Jackson reviews Tame Impala's single 'Borderline', noticing parallels to his older music.

Redbrick's Nina Avitabile discusses The Japanese House's subtle evolution showcased on her recent single

Music writer Kieran Read reviews the long-fabled return of pop enigma Jai Paul

BTS and Zara Larsson create yet another collaborative hit to add to the K-Pop band's back catalogue, Jamie Fowler writes

The latest single and accompanying video from Two Door Cinema Club is unlike anything the band has done before, Amelia Hiller reviews