Music Critic Simone Salvatore reviews Royal Blood's newest album, finding it to be a strong execution of their style, with effective attempts at evolution.

Music Critic Riley Wells reviews acclaimed singer-songwriter Mitski's new album finding to be reflective of her early work whilst still forging a new direction and identity

Music editor Devin Birse reviews experimental rock act Sprain's new album, finding it to be a masterwork of sonic destruction.

Music editors Devin Birse and Oliver Scoggins chat to Anton Pearson of acclaimed experimental rock act Squid to discuss recording their new album, unusual instruments, fond memories of meals in Birmingham and up and coming bands.

Music Editor Hannah Gadd sat down with rising pop-star and Eurovision entrant Mae Muller to discuss her long-awaited debut album

Music Critic Riley Wells examines Liz Phairs classic album 30 years on, finding it to be an influential time capsule of the late 90s Chicago indie scene.

Music Editor Hannah Gadd reviews Baby Queen's latest release from her upcoming album, finding it to be perfectly cynical and infectious

Digital Editor Halima Ahad reviews FIFTY FIFTY's new single with Sabrina Carpenter, describing it as the song you need to sing along to in your room when thinking about love

Music Critic Dan Smith revisits The 1975's debut album following its tenth anniversary

Print & Features Editor Jess Parker reviews Blur's latest album, praising the band's growth and explaining why it is an instant classic

Hannah Gadd reviews The Aces in Birmingham, applauding their stage presence and infectious energy

Music Editor Oliver Scoggins reviews Hozier's third album Unreal Unearth, finding it a mostly successful exploration of new styles for the artist.