Film Critic Emily Faithful is enamoured with Melina Matsoukas' directorial debut, chase flick Queen & Slim

British creature-feature Little Joe leaves Film Critic Charlotte Edgington feeling a little cold, though impressed by its handling of workplace sexism

Film Editor Matt Taylor spills the beans on Robert Eggers' haunting new picture, The Lighthouse

Music Editor Dylan Lucas is astounded by the visuals of Richard Stanley's Color Out of Space, but finds the tone of the Lovecraft adaptation rather muddled

Film Critic Rhys Lloyd-Jones is left utterly bewildered by Dolittle, a lazy and nonsensical attempt at a feature film

Film Critic Antonio Miguel Aguila is disappointed by video game adaptation Sonic the Hedgehog

As To All the Boys: P.S. I Still Love You hits the streaming service, Film Critic Aimee Calvert is falling out of love with this Netflix rom-com franchise

Anya Taylor-Joy shines in this colourful adaptation of Austen's most comical novel, says Film Editor Amy O'Neill

Film Critic Rhys Lloyd-Jones is overjoyed with The Personal History of David Copperfield, a marked step away from director Armando Ianucci's usual fare

As Birds of Prey flies into cinemas, Redbrick Film's Ellie Burridge is overjoyed, as Harley Quinn finally gets the big-screen treatment she deserves

Film Critic Sam Denyer is pleasantly surprised by the emotional intelligence of Marielle Heller's Mr Rogers biopic, A Beautiful Day in the Neighbourhood

Clint Eastwood's latest, Richard Jewell, leaves Film Critic Ellie Burridge conflicted over how well it handles the truth of its subject matter