Film Critic Estella Gettins review The End We Start From, finding it to be a run-of-the-mill and uninspired post-apocalypse drama

Film Critic Deeta Mahbubani takes a look back at 1985's The Breakfast Club, finding it a touching portrait of the contradictions of youth

Film Critic Joel Bishton reviews Drive-Away Dolls, finding it to be a classic quasi-Coen caper

Film Critic Simran Bains explores the recent explosion in biopic films, questioning their value for cinema

Film Critic Rani Jadfa covers this year's Academy Awards ceremony.

Film Critic Cameron Bowles discusses the prominence of science fiction in today's cinematic landscape, assessing it as a form of reflection on the modern world

Digital Editor Halima Ahad applies a feminist lens to Greta Gerwig's Barbie - a film equal parts compelling and contradictory

Film Critic Rani Jadfa delves into the highs and lows of the pre-Oscars Awards season

Film Critic Simone Salvatore finds Dune: Part Two to be a formidable demonstration of cinematic skill

Film Critic Deeta Mahbubani reviews Players, finding it to be a worthy addition to Netflix's romcom selection

Film Critic Joel Bishton makes the case that original filmmaking is still very much alive and well within the Hollywood studio system

Culture Editor Ash Sutton dives into Hollywood's increasing reliance on sequels and remakes. Are films like this a source of comfort... or are they a barrier to creativity?