Film Critic Harry Taylor is impressed by McKellen and Mirren at the top of their games, yet is puzzled by the knotty script, and is lost in the plot's twisting and turning labyrinth

Film Editor Samuel Zucca finds Rian Johnson's latest flick to be a cut above, and argues that the writer-director makes great use of pen and camera, in favour of the sword

As the world spirals into chaos, Film Critic Ellie Burridge stares into the epicentre of an abyss, that being Tom Hooper's screen adaptation of Cats

Ellie Burridge is disappointed with the stylish yet hollow remake of Charlie's Angels, finding its ass-kicking protagonists lacking in any real depth

As the decade comes to a close, Redbrick Film's writers look back at the best films of the 2010s

As we wave goodbye to an excellent year of cinema, Redbrick Film Editors and Critics assemble to dissect their favourite movie moments of the year

Film Critic Romana Essop looks at John Hughes' landmark 80s rom-com, and finds many problematic elements in it from a modern viewing

Film Critic Antonio Aguila looks into the recent banning of Blue Story from Vue cinemas, and begins to see that this is not a new phenomenon

Film Critic Antonio Aguila is mesmerised by the gorgeousness of Netflix animation Klaus, and finds beauty in the simplicity of its plot and characters

Netflix's The Knight Before Christmas leaves Film Critic Ellie Burridge despairing over the film's shallow attitude to Christmas consumerism

Film Critic Sam Wait is awestruck by Harriet, a sweeping yet tender biopic of heroic activist Harriet Tubman

TV Editor Cat Osborne finds solace in the warm colours of Disney's Frozen II, but struggles with a convoluted narrative