VFW is a messy and bloody grindhouse experience, that is enjoyable but at some points misses the mark, writes Gaming Editor Alex Green

Film Critic Emily Faithful is enamoured with Melina Matsoukas' directorial debut, chase flick Queen & Slim

British creature-feature Little Joe leaves Film Critic Charlotte Edgington feeling a little cold, though impressed by its handling of workplace sexism

Film Editor Matt Taylor spills the beans on Robert Eggers' haunting new picture, The Lighthouse

Music Editor Dylan Lucas is astounded by the visuals of Richard Stanley's Color Out of Space, but finds the tone of the Lovecraft adaptation rather muddled

Film Critic Rhys Lloyd-Jones is left utterly bewildered by Dolittle, a lazy and nonsensical attempt at a feature film

Film Critic Antonio Miguel Aguila is disappointed by video game adaptation Sonic the Hedgehog

As To All the Boys: P.S. I Still Love You hits the streaming service, Film Critic Aimee Calvert is falling out of love with this Netflix rom-com franchise

Anya Taylor-Joy shines in this colourful adaptation of Austen's most comical novel, says Film Editor Amy O'Neill

With diminishing audience figures and an increasing lack of diversity, Film Critic Jade Matlock asks whether the Oscars are still fit for purpose

Film Critic Rhys Lloyd-Jones is overjoyed with The Personal History of David Copperfield, a marked step away from director Armando Ianucci's usual fare

As Birds of Prey flies into cinemas, Redbrick Film's Ellie Burridge is overjoyed, as Harley Quinn finally gets the big-screen treatment she deserves