Film Editor Samuel Zucca looks at the merits and downfall's of Aaron Sorkin's witty, snappy writing style

Whilst 2020 may not be the year of the Cinema, it has still had its moments in the sun. Some of the Writers and Editors of Redbrick Film take a look back at the best films of 2020

Film Editor Sam Denyer dives into Pixar's newest film, Soul, and is impressed by its ambition and emotional intelligence

Redbrick Film takes a look back through the most exciting films that missed out on their 2020 release date

Mank shines in David Fincher's extensive filmography, argues Film Writer Bethany Sherrott

Film Critic Samantha Hicks enjoys Yes, God, Yes' fresh take on the coming-of-age tale even if the plot leaves a little to be desired

Film Writer Bethany Sherrott wonders if Warner Bros' latest revolution will leave cinemas fighting to stay afloat in 2021

Deputy Editor Daisy Kirkaldy is underwhelmed by this awkward Netflix Original, which never finds anything unique to do with its numerous tropes

Film Critic Maisie McCormick is pleasantly surprised by Rebecca, the Netflix adaption of the classic Gothic novel

Film Writer Annabel Smith finds the latest, festive Netflix hit to be slightly devoid of originality and excitement, despite some cheerful performances and fun musical numbers

Film Critic Maisie McCormick enjoys the easy-going fun of Netflix's The Princess Switch: Switched Again

Film Critic Annabel Smith stands in No Man's Land as she recounts the latest World War Two thriller from Netflix