-
Culture Writer Heidi Downing reviews Tricera Collective's Allotment finding it to be a heartwarming, character-driven production
-
Culture Writer Eve Hutchinson reviews To Move In Time, praising the monologue's exploration of complex themes and Tyrone Huggins's solo performance
-
Culture Editor Ilina Jha and Culture Writer Hannah Dalgliesh review Come From Away, praising the cast and musical performances in this moving true story
-
Culture Writers Heidi Downing and Ruby Kwartz review English, praising the script, cast performances, and the direction of the play
-
Digital Editor Halima Ahad and Culture Editor Ilina Jha review Liberation Squares, praising the cast performances in a funny but serious political play
-
Editor-in-Chief Alex Taylor and Print & Features Editor Jess Parker review Withnail and I, criticising the failure to update the original 1987 story
-
Culture Writer Jaiden Griffin reviews Sister Act The Musical, praising the cast performances and the use of lighting in this flamboyant musical
-
Culture Writer Rachel Shaper reviews Twelve Angry Men finding it to be a beautifully translated story of the pursuit of court justice
-
Culture Writers Hannah Dalgliesh and Rani Jadfa review Blood Brothers, praising the cast performances in this famous Liverpudlian tragedy
-
Culture Writer Rachel Shaper reviews Silence, praising the show's use of personal storytelling to shed light on the 1947 Partition of India
-
Culture Writer Hannah Dalgliesh reviews the RSC's latest production of Love's Labour's Lost, praising the directorial choices and cast performances
-
Culture Writer Daisy Carr reviews Stranger Things: The First Shadow, praising the cast performances in this theatrical prequel to the hit Netflix series