Culture writer Joel Bishton reviews Arthur Miller's classic play All My Sons, discussing the thematic relevance of the play's revival and praising the effective set

Culture writer Joel Bishton reviews Mark Evans' stage play Bleak Expectations, finding it to be a fast-paced production overflowing with nonsensical comedy

Culture writer Aislin Slater reviews A Chorus Line, praising its unique portrayal of the chorus, powerful staging, and Carly Mercedes Dyer’s standout performance as Cassie

Culture Writer Makayla Taylor reviews The Mousetrap, praising the dynamic cast performances and effective sound, lighting, and set design

Culture Writer Hannah Dalgliesh reviews the Young Rep's production of Wuthering Heights, praising the cast performances in spite of a hit-and-miss script

Culture Editor Ilina Jha reviews the smash-hit musical Hamilton, praising the dramatic and musical abilities of the cast and impressive production design

Culture Writer Megan Hughes reviews Kyoto, praising the immersive set design and cast performances in this dramatic story of the Kyoto Protocol

Sport Editor Lucy Parry discusses the inaccessibility of London's West End theatres and calls for changes to be made to accommodate all theatregoers

Editor-in-Chief, Alex Taylor, meets Danny Robins in his dressing room (with a spooky flickering light) before his Birmingham show to discuss all things Uncanny.  

Gaming Editor Kitty Grant reviews The Wizard of Oz, praising the cast performances but finding the production to be disappointing overall

Culture Writer Hannah Dalgliesh reviews the RSC's latest production of The Merry Wives of Windsor, praising the strong cast and ambitious set design

Culture Editor Ilina Jha reviews the Crescent Theatre's production of Consent, praising the ancient Greek influences in this modern revenge tragedy