Misbehaviour succeeds in subverting the male gaze, but is a bloated protest drama, writes Film Critic Ellie Burridge

Film Critic Ellie Burridge dredges Dark Waters, which sees Robert Bilott (Mark Ruffalo) take on a dark oil conglomerate

As Birds of Prey flies into cinemas, Redbrick Film's Ellie Burridge is overjoyed, as Harley Quinn finally gets the big-screen treatment she deserves

Clint Eastwood's latest, Richard Jewell, leaves Film Critic Ellie Burridge conflicted over how well it handles the truth of its subject matter

Film Critic Ellie Burridge is unimpressed by Bombshell's lack of nuance

With the 92nd Academy Awards just around the corner, Redbrick Film look at what will win, what should win, and what got snubbed

Guy Ritchie's latest marks a mostly-magnificent, if slightly problematic, return to form for the auteur director, says Film Critic Ellie Burridge

Redbrick Film Critics have nothing but praise for Greta Gerwig's latest film Little Women, the seventh adaptation of Louisa May Alcott's iconic novel

As the world spirals into chaos, Film Critic Ellie Burridge stares into the epicentre of an abyss, that being Tom Hooper's screen adaptation of Cats

Ellie Burridge is disappointed with the stylish yet hollow remake of Charlie's Angels, finding its ass-kicking protagonists lacking in any real depth

As the decade comes to a close, Redbrick Film's writers look back at the best films of the 2010s

Netflix's The Knight Before Christmas leaves Film Critic Ellie Burridge despairing over the film's shallow attitude to Christmas consumerism