Comment Editor Colette Fountain and Print Editor Kitty Grant come together to review The Rocky Horror Picture Show, applauding its magnificent use of audience participation which left them wanting to come again - this time in full costume

Comment Editor Colette Fountain gives the low-down on fashion's 'big night out' and an A-list look into the history and politics of the iconic Gala, predicting what celebrities will be flaunting and inspiring us all to shine the spotlight on the MET's red carpet

Comment Editor Colette Fountain reflects on her previous work regarding inceldom in relation to the recent Plymouth shooting, arguing that too little is being done to tackle this harmful ideology, and women's safety is not being taken seriously.

Escape Room: Tournament of Champions provides a unique spin on the thriller genre but lacks depth and development, writes Comment Editor Colette Fountain

Comment Editor Colette Fountain takes a look at Billie Eilish's latest album, finding it an accomplished and assured progression from her earlier music

Comment Editor Colette Fountain praises crime thriller Mindhunter, a must-see Netflix series from the director of Fight Club, The Social Network and Gone Girl

Music Critic Colette Fountain takes us through the career of Hobo Johnson, arguing that his music is unlike anything she has heard before

Comment Editor Colette Fountain picks out her highlights of Jake Gyllenhaal's career, taking you on a journey from cowboys to true crime

Comment Editor Colette Fountain highlights the damaging effects of Neoliberalism on homelessness , and argues as a society we have forgotten how to be kind

Comment Writer Colette Fountain considers the seemingly misogynistic criticism of women within the gaming, music and literary communities, arguing that women cannot enjoy anything without it being belittled

Comment Writer Collette Fountain analyses the significance of the two-party system in US and UK politics

Comment Writer Colette Fountain discusses the nefarious abuse of power of certain people in important positions, arguing it prevents those who are vulnerable from seeking the help they need and further sexualises women